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Specifically, I analyze Pratchett’s use of the Arthurian tradition and his references to our understanding of the Arthurian tradition, as constructed by Malory, Tennyson and T. Throughout his career writing on the Discworld, Terry Pratchett employed what he referred to as ‘white knowledge’ a wide spectrum of intertextuality and allusiveness that pervaded the structure of his stories, the dialogue, the narration, and that was even discussed in scenes constructed to comment on the very absurdity of its existence. In my MA thesis, I examine closely the allusive qualities of the white knowledge present in Pratchett’s Tiffany Aching series: The Wee Free Men (2003), A Hat Full of Sky (2004), Wintersmith (2006), I Shall Wear Midnight (2010) and The Shepherd’s Crown (2015).
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